Many young middle and upper class
men traveled across the continent in a Grand Tour of Europe to complete their education. Whether their
minds were broadened by visits to museums and academies or wine, woman, and
song, every young Englishman brought home souvenirs of his travels.
During their travels through
Vienna, Rome, Paris, and Venice, visitors bought intaglios, plaster castings of
engraved or relief images, like a coin or medallion. The intaglios were cheap
to mass produce, cheap to buy, and easy to pack for the next leg of the trip: a
perfect souvenir.
The scheduling of most grand tours
followed local festivals and religious feasts to maximize exposure to local
color. Native artisans sculpted intaglio molds featuring designs commemorating
these holidays. Easily recognizable historical events and figures are common as
are scenes from Greek or Roman mythology and reproductions of ancient art.
Travelers collected their
Intaglios in books. A hollow display box took up half the book. Collectors glued
their intaglios to the box side of the book and listed the details of their
collection in the opposing pages. Together their notes and the intaglios formed
a miniature replica of their trip.
From the 1700s to the late 1800s,
sightseers bought millions of intaglios all over the Europe. What other affects
might these curios have on the lives of these tourists after they come home?
Using Intaglios in Adventures
Considering the medium of plaster
casting, something small could be hidden inside each intaglio. African
diamonds, gold, secret messages from a foreign power, rags with a disease
carrying smell, or any other small secret item could be carried into England by
knowing or unknowing carriers.
Instead of the usual collection of
unique designs from all over Europe, a smuggler’s souvenirs may be 20-50 of the
same intaglio.
The investigators may arrive too
late, and only find the cracked open pieces of plaster. If reassembled, they
discover a cavity in the center
The possession of an intaglio could
give or destroy a suspect’s alibi. If Lady Grail possesses an Intaglio
commemorating the Carnival in Venice, and she said she was in Rome during the
murder at the Carnival, something’s not right.
The easiest use of an intaglio in
a Victorian adventure is to make them magical. A sigil scribe or a conjurer
could incorporate intaglios into their magical practice. Many intaglios depict
scenes from classical mythology. Do the archons of the Greek and Roman pantheons
work through their images? Are intaglios mass produced charms or amulets of
protection?
Do intaglios of monsters hold a
more sinister purpose? Traditionally, the lime and sand mixture in plaster was
strengthened with animal fur and feathers. What might be the effect of an
intaglio depicting a hideous beast, strengthened with this technique?
For a campaign across Europe, a
collection of intaglios could be a terrific plot hook. A friend traveling abroad keeps up a correspondence with the player characters. His letters grow
more and more paranoid of a conspiracy surrounding him. His letters suddenly
stop, but a package arrives containing his book of intaglios. Can the players
pick up his trail and find him in time, using his souvenirs?
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