Friday, October 27, 2017

City of Countless Names- Dervishes



Long before the Ottoman Empire began, Nithamiyeen mystics gathered together to learn celestial truths through holiness, humility, and privations. Over time, they codified their practices and beliefs, becoming the dervish orders.

At the siege of Constantinople in 1453, the dervish Ak Shemsu-d’Din prophesied to Sultan Mehmed the Conqueror of the Ottoman’s victory over the city, and personally led 77 dervishes into the battle. Their miracles protected many soldiers from Constantinople’s magical defenses, helping the Ottoman armies overwhelm the city’s defenders.  After the victory, Mehmed’s viziers puzzled over the fallen city full of magical wonders, talismans, and holy relics. They couldn’t allow such powerful artifacts to be looted, destroyed, or lost in the administrative confusion of the new capital. Remembering the dervish’s wisdom and bravery, they tasked the dervishes to collect, and guard the most dangerous artifacts.

Since then, the dervishes of Constantinople use their mystic insight and their devotion to protect the Ottoman Empire from the practitioners of Sihr. Some believe the dervishes’ repetitive recitation of “the Word” gives their breath supernatural healing power, and bring sick or wounded loved ones to be breathed upon to restore their health. Legends speak of dervishes forcing two fighting armies to halt their war, learning cosmic secrets from angels, instantly appearing at locations hundreds of miles away, and projecting their consciousness out of their bodies.  More commonly, the Nithamiyeen faithful rely on dervishes for dream interpretation, deliverance from curses, and finding stolen property. Most Turks proclaim these abilities as miracles, while Guild magicians say the dervishes’ mystic practices enhance their Magnetism. Although, the Grand Mufti has authority over the dervish orders, he rarely exercises that power, despite the distrust the clergy have for the dervishes’ heretical beliefs.

Dervishes gather with other members of their order in monasteries called Tekkahs. Most Tekkahs house 15- 30 dervishes, led by a sheikh. Some of their mystic ceremonies are open to the public for a small donation toward the upkeep of the Tekkah. Anyone, faithful or foreigner, may watch, but the devotions, meditations, and lives of the dervishes in the Tekka remain private. Constantinople quarters many dervish orders, such as the Halvetiye, the Kadirye, the Naqshbandi and the Qadiriyya.  The three most famous in the city are the Mevlevi, the Bektashi, and the Rufa’i.

Mevlevi
Also known as dancing dervishes, or spinning dervishes, members of the Mevlevi order perform elaborate and vigorous ceremonial dances called “Sama” to reach a state of religious ecstasy and sanctity. Fifteen or more dervishes chant and slowly rotate on their left foot, their speed increasing as they spin, arms outstretched and eyes closed, for a quarter of an hour with no fatigue or dizziness. A small orchestra of dervishes playing flutes, zithers, drums, and tambourines helps pull the dancing dervishes into their trance-like state.

Mevlevi dervishes are easily recognized by their kulahs, tall brimless hats of undyed camel hair, but they only wear their most famous article of clothing, the long loose white skirts, during their ceremonies. Outside of their ceremonies and services, Mevlevi dervishes wear, long dark robes.

Of all the Dervish orders in Constantinople, the Mevlevi hold the most power, and prestige. When a new Sultan takes the throne, a Mevlevi sheik girds his waist with the sword of Osman, the founder of the Ottoman Empire. Their historic ranks include Grand Viziers and other members of the Ottoman government. Even the Sultan’s father, Mahmud II, associated closely with the Mevlevi. Although bound to poverty and charity, the endowments of the order’s lay members provide the dervishes with the most impressive tekke’s in Constantinople.

Bektashi
From their inception, the janissaries were closely associated with the Bektashi order. The sheik Hadji Bektash gave a special blessing on the group of young boys who became the first janissaries before their training began. Many janissaries worshiped with or joined the Bektashi. After the destruction of the janissaries, orchestrated by Sultan Mahmud II, Mahmud turned Bektashi Tekkes over to the other dervish orders, ordered its three leading sheiks executed for treason, and exiled their dervishes.  Under the reforms of Tanzimât, the order slowly renewed practice in the Ottoman Empire. Considering their vilified status in society, it’s fortunate Bektashi dervishes prefer study and contemplation to ecstatic displays of zeal. 
Bektashi dervishes wear clothes rich in symbolic meanings.  They cover their heads with a dome-shaped cap made of white felt with four grooves, called a Taj. The grooves (called Doors) represent the four stages of spiritual life according to the Order’s teachings. Three more grooves further divide the Doors.
Beneath their cloak, dervishes wear a vest bearing 12 stripes, a rope around the waist with three knots tying the dervish to truth, honesty, and chastity, and a belt made of wool from the sheep sacrificed at the dervishes’ initiation.

Rufa’i
The ceremonies performed by the Rufa’i order shock the uninitiated. The Rufa’i dervishes (known in Europe as”Howling Dervishes”) shed their outer garments and reach a state of violent bliss by kneeling, stamping their feet, and chanting. Their chanting grows into shouts as the dervishes stab, and cut their flesh with knives, and touch red-hot metal instruments, all while in this state of intoxicating bliss. At any other time, these wounds are horrifying if not fatal, but during the ceremony the dervishes feel no pain and barely bleed. Knives, swords, spears, and axes adorn the walls of Rufa’i Tekkes to be used in their ceremonies. The dervishes call these implements “roses”.
After the last Rufa’i dervish falls in exhaustion, their sheik rubs his saliva and breathes on their wounds. Rumor says all their wounds and scars fade within a day. Despite the Rufa’i order’s popularity with impoverished Ottoman citizens, the Nithamiyeen clergy suspect the taint of dark magic in their practices and try to quietly shut down their public displays.
Rufa’i dervishes wear a cap similar to that worn by the Bektashi order, and little else during their violent ceremonies. The eight grooves in the cap represent eight sins the dervish left behind. Their cloaks and outer clothing can be of any color, but bordered in green cloth. Most wear black.

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